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Visual book review: Thank You for Arguing: What Aristotle, Lincoln, and Homer Simpson Can Teach Us about the Art of Persuasion

20120321-book-thank-you-for-arguing

Jay Heinrichs’ Thank You for Arguing: What Aristotle, Lincoln and Homer Simpson Can Teach Us about the Art of Persuasion is one of my favourite books. You know how we walk around thinking that rhetoric is evil and arguments are to be avoided? He shows how knowing about persuasive techniques – and using them well – can make life better, and how kids who know how to argue correctly are adorable. Well, he doesn’t explicitly make that last point, but it’s entertaining seeing him get bested by his 5-year-old daughter.

Read this book so that you can get better at detecting and dealing with invisible arguments that surround you. Learn how to combine the elements of ethos, logos, and pathos to argue persuasively. Don’t get stuck in blame games or stereotyping fights; stay focused on the future and help people move forward. Use wordplay to be wittier.

The book is packed with tips, and well worth keeping on your reference shelf. I liked it so much that I bought a paperback copy and a Kindle e-book (which was more expensive than the paperback, pff!)

Thank You for Arguing: What Aristotle, Lincoln and Homer Simpson Can Teach Us about the Art of Persuasion
Jay Heinrichs
2007: Three Rivers Press
ISBN: 978-0307341440

For more detailed notes, see my 2010 review of Thank You for Arguing.

See other visual book notes!

Here’s the text from the image to improve people’s ability to search for it:

Thank You for Arguing: What Aristotle, Lincoln and Homer Simpson Can Teach Us about the Art of Persuasion
Jay Heinrichs 2007

We are surrounded by
INVISIBLE ARGUMENTS
FIGHTS (Goal: Win)
Learn the difference between
ARGUMENT (Goal: change mind)

Types of argument (can combine!)
Ethos (character, who you are)
Show that you are similar & have shared values
Use strategic reluctance (“I normally hate speaking, but…”)
sense/medium

a b c
Logos (logic, reasoning)
“is”
Make your option the reasonable middle
Control the definitions of terms

Pathos (Emotions)
You can guide people’s emotions by overreacting on their behalf.
“That must have been awful!”

Use the right tense:
PAST
Blaming
“You did it!”
“Did not”
“Did too!”
PRESENT
Stereotyping
“You always…”
“You never…”
FUTURE
Moving forward
“Next time, can we…”

DEFENCE
The book has many tips on how to detect and deal with persuasion.

…and tips for being witty, too!

Notes: SachaChua.com
@sachac 2012

 

Short URL: http://sachachua.com/blog/p/23254

Visual book review: Getting to Yes: Negotiating Agreement Without Giving In

book-getting-to-yes

Getting To Yes is the kind of book you want to read before you negotiate UN treaties, business contracts, or a special deal on that lovely rug. I read it in September 2010 and promptly started referring to my Best Alternative to a Negotiated Agreement (BATNA) even in non-negotiation situations such as decision-making.

The idea of not arguing over positions (I want $X as a salary, Y days of vacation, and a pony) and focusing instead on interests (I value fair compensation, flexible schedules, and cute transportation) might help people avoid or break out of negotiation deadlocks. Also useful is the reminder that negotiations don’t have to be the competitive I-win-you-lose head-on collision that people often see it to be, and that a cooperative approach is more likely to get you to where you want to go by getting other people to where they want to go.

Unfortunately, the tips in the book do not work when negotiating with cats, who don’t care if you discuss their dirty tricks with them. Despite that weakness, this is still an excellent book to read whether or not you have a diplomatic passport.

Getting to Yes: Negotiating Agreement Without Giving In
Roger Fisher, William Ury, and Bruce Patton, 2nd ed.
1991 New York: Houghton Mifflin Company

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Short URL: http://sachachua.com/blog/p/23232

Visual book review: Critical Inquiry: The Process of Argument

book-critical-inquiry

I first read this book in October 2010 while scrambling to learn as much as I could about communication and rhetoric in preparation for marriage. Since then, there have been zero household arguments, which is not a bad thing. Fortunately, the Internet, newspapers, and books provide a steady stream of logical fallacies that let me exercise the skills I picked up from this book.

The insight that stuck with me from this book was that you should repair holes in your opponents’ arguments—argue their case more strongly than they did—before demolishing the strengthened arguments. People rarely do this, but I’ve seen a couple of good examples on the political/feminist blogs I read.

It reminds me of what we need to do in order to help people deal with their concerns to new ideas or technologies. It’s not enough to fight against straw-man arguments. You may need to be more concerned about people’s concerns than they are, before you can help them find a way forward.

Critical Inquiry: The Process of Argument
Michael Boylan (Westview Press: 2009) – ISBN 978-0813344522

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Short URL: http://sachachua.com/blog/p/23229

Portal 2 and teachable moments in argument

Portal 2 became an obsession in our household after W- shared with us the Youtube clips of the ending songs, Still Alive and Want You Gone. I downloaded the demo today, and J- flew through it eagerly. The final demo level came all too soon.

Aha. Teachable moment.

“Do you remember the three Greek words we have in the kitchen?”

“Ethos, pathos, and logos.”

“Right.” I wrote them down, with brief descriptions, under the title, “Why should we get Portal 2?” I read the title out: “Why should we get Portal 2?”

“Umm… Because it’s educational?”

“How?”

“Speedy thing goes in, speedy thing comes out, that’s all I have to say.”

I look at her and do the you-can-do-better-than-that smile.

“I’m not good at this stuff.”

“Try writing all of your ideas down. You can make your arguments stronger by editing them afterwards.”

We’re still a bit fuzzy about the categories, but it’s great to see where she’s going. Here’s the list she came up with:

Ethos:

  • helps improve sense of humour
  • I will actually do my homework properly and thoroughly
  • can create a topic of conversation
  • can create more interesting stories to tell others

Pathos:

  • spend time together solving puzzles and getting a good laugh or two (bonding factor)
  • fun! (lolz!)
  • more inside jokes

Logos:

  • hand-eye coordination
  • momentum
  • solve puzzles – helps make you better at solving puzzles
  • may help me with typing faster
  • can create inspiration for writing a book or drawing a picture

“Try thinking of reasons why we might say no, too,” I said. After some thought, she listed:

  • might take up too much time
  • too close to screen too often
  • may not play it as often, may be wasted

“Now think of ways you can address those concerns.”

“Maybe I can set a time limit, like 30 minutes…”

“That would take care of the first and second concern. How about the third?”

“It’s like you don’t want to play it too much, but you also don’t want to play it too little…” she said.

“Right. Because if you played only a couple of levels more, it would be a waste. But you played the demo and…”

“… it was amazing…”

“… so the rest of the game…”

“… will probably be ten times as amazing…”

“… and you know you’ll enjoy it. There, see what happens? When you think of why someone would say no and you address those concerns, your argument becomes stronger.”

“Oh, I get it now.”

“Great! Would you like to take this further by organizing your arguments into a proper speech, like this”, and here I sketched out what the speech would be like, with English mixed with fast-forwarded gibberish and hand-gestures so that she could get the sense of it.

She laughed. “Sure!” she said.

Persuasion is a useful skill. Good to find opportunities to help people develop it!

2011-06-22 Wed 21:21

Short URL: http://sachachua.com/blog/p/22324

Learning from Mr. Collins: Practice, conversation, and what to do when someone says something mean

"You judge very properly," said Mr. Bennet, "and it is happy for you that you possess the talent of flattering with delicacy. May I ask whether these pleasing attentions proceed from the impulse of the moment, or are the result of previous study?"

"They arise chiefly from what is passing at the time, and though I sometimes amuse myself with suggesting and arranging such little elegant compliments as may be adapted to ordinary occasions, I always wish to give them as unstudied an air as possible," [said Mr. Collins.]

Pride and Prejudice, Jane Austen

In Pride and Prejudice, Mr. Collins thinks up compliments and practises them until they flow smoothly. He comes off smarmy and supercilious, but the idea is generally useful.

imageI have a confession to make: I practise responses. After I find myself tongue-tied or I respond to something with less grace than I want to, I rehearse it and similar situations in my mind so that I can figure out a better way to respond. I think about translations that help me get to what people might really mean, phrases to use, tones of voice to adopt, ways to bring the conversation back on track. It’s a little like the way a witty retort might come to you hours after an argument (there’s even a name for this: l’ esprit de l’escalier, staircase wit), but done deliberately, and for good and self-improvement instead of for scoring points or getting back at someone. Deliberate practice makes perfect, after all.

For example, if someone says something sexist, I know my response won’t be silence, it will be something like "That’s sexist!" in as joking a way as I can manage – and I’ve practised not taking it personally, so it bounces off me. (Kapoing!)

I’m still figuring out what to do when someone says something mean. It happens to the best of us. I struggle to avoid saying mean things, too. I’m glad my first instinct isn’t to fight fire with fire, because that just makes things worse. I can recognize when something may be mean and stick up for myself: "That’s mean!" – not "That’s not fair!" or "That’s not nice!", which are a bit soft. I can separate what someone says in the heat of a moment from who they are and from what I think about myself, and I’m working on getting faster and more instinctive at doing so.

The Internet suggests several ways to deal with hurtful words:

  • Ignore it. It’s a gift, like praise is, and you don’t have to take it. (There’s a Zen story about that…)
  • Translate it. You can pick out the useful parts of hurtful words, work with them, and throw the rest away. People are human. We’re not perfect communicators. Somewhere in there, there might be something you can work with – or at the very least, an opportunity to step back, look at the person as a whole, and appreciate what you can about that person. Everything teaches you something.
  • Ask for clarification. Sometimes this is enough to slow things down and raise the conversation to a reasonable level.
  • Respond positively or surprisingly. "I love you too" is a popular come-back, even when responding to strangers’ insults.
  • Call a time-out or walk away, particularly if things are turning into a vicious circle. You don’t want to be drawn into a fight that throws you off your balance. This doesn’t mean ignoring the issue entirely. Hit the pause button, untangle the issues, and discuss them when you’ve got some distance.

I want to get to the point of being able to respond with loving-kindness to whatever life throws at me.

How do you deal with the occasional hiccup in people’s niceness?

2011-05-31 Tue 12:18

Short URL: http://sachachua.com/blog/p/22267

Book: Thank You for Arguing

http://farm4.static.flickr.com/3361/3338671160_1bc74ffbd5.jpg
(c) 2009 Mark Robinson – Creative Commons Attribution 2.0 Licence

Thank You for Arguing: What Aristotle, Lincoln and Homer Simpson Can Teach Us About the Art of Persuasion
Jay Heinrichs 2007 1st ed. ISBN: 978-0-307-34144-0
New York: Three Rivers Press

Personal response

I really like this book. Jay Heinrichs writes in a clear, accessible style that shows the relevance of rhetoric in life and gives great tips on how to get started. Through anecdotes, he also shows that rhetoric doesn’t have to be dodgy, and can contribute to a richer work and personal life.

W- and I are both studying this book, and it has given us a helpful framework for deeper discussions. I plan to use the tools in the book to analyze arguments, and to apply them when blogging too. (Hmm, might be interesting to use the classical structure for posts in response to other blog posts…)

Well worth a read.

Contents

  • Introduction

    1. Open your eyes: The invisible argument: We treat rhetoric and argument as negatives, but we’re immersed in it. Learning about argument can help us not only recognize when we’re being persuaded, but use it to improve everyday life.

  • Offense

    2. Set your goals: Cicero’s lightbulb: Fights and arguments are two different things. You’re in a fight to win; you’re in an argument to get what you want or to come to an agreement. When you argue, you want to change people’s mood, mind, and/or willingness to act. p17: story about “argument by the stick”

    3. Control the tense: Orphan Annie’s law: When people argue, they can be focused on the past (blame), the present (values), or the future (choices). Pick the appropriate tense for your argument. Future tense helps you keep moving forward. The author writes:

    • Present-tense (demonstrative) rhetoric tends to finish with people bonding or separating.
    • Past-tense (forensic) rhetoric threatens punishment.
    • Future-tense (deliberative) argument promises a payoff.

    The author also reminds us: “Never debate the undebatable. Instead, focus on your goals.”

    4. Soften them up: Character, logic, emotion: Or ethos, logos, and pathos, if you want to use their classic names. Read this chapter for great arguments by the author’s children.

    5. Get them to like you: Eminem’s rules of decorum: Ethos: Work with your audience’s expectations. Make it easier for them to believe you and identify with you. Fit in.

    6. Make them listen: The Lincoln gambit: Help the audience see your common values and practical wisdom. Show them that you’re focused on their best interests, not just yours. If necessary, you may need to mimic other people’s values in order to get them to hear you. Take advantage of opportunities to build perception of your character, such as changing your position based on people’s arguments.

    7. Show leadership: The Belushi paradigm: “Show off your experience. Bend the rules. Appear to take the middle course.”

    8. Win their trust: Quintilian’s useful doubt: Be doubtful or reluctant, talk about your sacrifice, or dial down your rhetoric skills if that serves your cause.

    9. Control the mood: The Aquinas maneuver: Use stories, volume control, plain language, and emotional influencers to change the mood.

    10. Turn the volume down: The scientist’s lie: Manage anger by using passive voice when referring to things other people had done (not you). Calm people by reacting more than they would, on their behalf. Humor might be a good tool, too, but it’s tricky.

    11. Gain the high ground: Aristotle’s favorite topic: Take advantage of common beliefs, values, or sayings as a foundation for your argument. Make your argument seem obvious. If people use common sayings to reject your argument, listen for that and come up with something relevant next time.

    12. Persuade on your terms: What “is” is: Pay attention to labels. Redefine words if needed, using a clear definition. Use the values of your audience. Switch tenses to focus on future choices, too.

    13. Control the argument: Homer Simpson’s canons of logic: This chapter covers deductive and inductive logic, and how to support inductive logic with facts, comparisons, or stories.

  • Defense

    14. Spot fallacies: The seven deadly logical sins: This chapter lists logical fallacies and how to deal with them.

    15. Call a foul: Nixon’s trick: Identify fouls and deal with them, because if the conversation goes into inarguable territory, you’ll just be going around and round.

    16. Know whom to trust: Persuasion detectors: Are people being extreme? Are people focusing on needs that don’t include yours? Watch out when negotiating.

    17. Find the sweet spot: More persuasion detectors: Do people try to give you a solution without hearing the details of your problem? Do people have relevant, accurate, unbiased information? Can people figure out what matters?

  • Advanced offense

    18. Speak your audience’s language: The rhetorical ape: Listen for the jargon and the keywords of a group, and repeat them. Try using antonyms when refuting other people’s arguments, if the original words will cause negative responses. Don’t be afraid to experiment with the logic of a sentence.

    19. Make them identify with your choice: The mother-in-law ruse: Let people come up with your idea by identifying with them and letting them identify with you. Use in-words and irony if needed to help a certain group identify with you more (possibly with the exclusion of another group).

    20. Get instant cleverness: Monty Python’s treasury of wit: This chapter covers figures of speech, subverted cliches, and other techniques for being wittier.

    21. Seize the occasion: Stalin’s timing secret: Pay attention to timing, and watch for persuadable moments.

    22. Use the right medium: The Jumbotron blunder: Different media emphasize different combinations of ethos, pathos, and logos. According to the author:

    • Sight is mostly pathos and ethos.
    • Sound is the most logical sense.
    • Smell, taste, and touch are almost purely emotional.
  • Advanced agreement

    23. Give a persuasive talk: The oldest invention: Invention, arrangement (ethos, then logos, then pathos), style, memory, and delivery. Classical structure: Introduction (ethos), narration, division, proof, refutation, conclusion.

    24. Use the right tools: The Brad Pitt factor: Goals, ethos, pathos, logos, kairos (timing). This chapter has examples of how tools from different chapters work together in real-life situations.

    25: Run an agreeable country: Rhetoric’s revival: We need more rhetoric in real life. Yay!

Reading list

  • A Handlist of Rhetorical Terms, Richard A. Lanham
  • Encyclopedia of Rhetoric (Oxford University Press, 2001)
  • Classical Rhetoric for the Modern Student, P. J. Corbett (Oxford University Press, 1990)
  • The Art of Rhetoric, Aristotle (Penguin, 1991)
  • Cicero, Anthony Everitt (Random House, 2001)
  • The Founders and the Classics, Carl J. Richard (Harvard, 1994)
  • A Rhetoric of Motives, Kenneth Burke (University of California, 1950)

Short URL: http://sachachua.com/blog/p/17965

Book: Getting to Yes

Love
(c) 2010 David Prior – Creative Commons Attribution 2.0 Licence

Getting to Yes: Negotiating Agreement Without Giving In
Roger Fisher, William Ury, and Bruce Patton, 2nd ed.
1991 New York: Houghton Mifflin Company
ISBN-13: 978-0-395-63124-9

Personal response

Getting to Yes is a slim book that packs a lot of useful advice from corporate, government, and personal experience. The focus on principled negotiation, reason, and objective criteria will help me learn to keep my cool during difficult negotiations, and to stay focused on finding or creating options that address people’s interests instead of being limited to the positions that have been expressed.

This book focuses more on the process of negotiation, while “Thank You for Arguing” focuses more on the forms of rhetoric and the components of argument. Both are good reads in this area.

One of the key things I’d like to do to apply the lessons from this book is to develop better relationships with people, which can help when negotiating. (Not just for the purpose of negotiation, of course!) The more I understand about other people and the more they understand about me, the better the conversations can be.

Aside from applying these ideas to relationships with family and friends, I’m also looking forward to exploring this through outsourcing or other avenues.

Contents

  • Part 1: The Problem: Don’t bargain over positions

    When you think about negotiation, it’s hard to escape the stereotype of haggling over souvenirs, houses, or salaries. There are age-old tactics for dealing with those kinds of negotations: start with an extreme, and only grudgingly give up ground. The authors argue that this kind of position-based negotiation is inefficient and ineffective. Instead of getting locked into one position or another, you should focus on understanding your interests and other parties’ interests, and inventing creative solutions that work for everyone if possible.

  • Part 2: The method

    In this part, the book gives concrete tips for working through the different components of a negotiation: people, interests, options, and criteria.

    People: We often see negotiation as an adversarial problem. If you can reframe it from a contest of wills to a cooperative initiative to find something that works for all parties, negotiation becomes much easier. This can be difficult when there’s a lot of public pressure, so understand people’s private interests as well as their expressed ones. The book also points out the importance of focusing not just on the situation, but also on the relationship, and the value of developing a good working relationship outside the negotiation.

    Interests: The positions people take may give some clues about the interests they have, but these positions should not be the final word in negotiation. Find out more about what people truly value, because that may help you find creative ways to address those interests.

    Options: If you don’t firmly commit yourself to a position, you have more space to find better solutions that line up with people’s interests.

    Criteria: It’s better to negotiate using reason and objective criteria than to take arbitrary positions. Identify objective criteria you and other parties can agree on, and use those to evaluate the options. Translate irrational arguments into objective criteria, asking questions to investigate.

  • Part 3: Yes, but…

    This is where negotiation meets the real world. In this part, the book covers how to negotiate with a seemingly more powerful opponent, a stand-off, and dirty tricks.

    How to deal with power imbalances: Develop your best alternative to a negotiated agreement (BATNA). This will help you resist pressure. If your alternative is stronger than their alternative, you will also have more negotiation room.

    It’s important to pick one alternative as your best alternative to a negotiated agreement, and to have a good idea of this alternative before negotiating. We can be overly optimistic and think of hundreds of alternatives. If we don’t choose, however, we can feel overwhelmed. Picking one forces clarity and makes it easier to walk away if necessary.

    How to deal with people who won’t negotiate: If people are locked into positions and don’t want to negotiate, or focus on irrational arguments, you still have several approaches you can try. The first approach is to focus on negotiating well yourself, using interests, options, and objective criteria. Another option is to redirect their negotiation moves in a way that focuses on interests, options, and objective criteria. The third strategy uses a trained mediator who can help you focus on collaboratively finding a solution.

    How to deal with dirty tricks: Keep your best alternative in mind. Call out the tactic and talk about it. Use objective criteria to avoid giving in to pressure. Don’t be afraid to take breaks or to walk away if necessary.

  • Part 4: In Conclusion

    It’s not about “winning” – it’s about finding ways to deal with differences. The book has a lot of advice that we’ve heard from different sources, but you still need to practice in order to get better at it.

  • Part 5: Ten questions people ask about Getting to Yes
    • Questions about fairness and “principled” negotiation
      1. “Does positional bargaining ever make sense?”
      2. “What if the other side believes in a different standard of fairness?”
      3. “Should I be fair even if I don’t have to be?”
    • Questions about dealing with people
      1. “What do I do if the people are the problem?”
      2. “Should I negotiate even with terrorists or someone like Hitler? When does it make sense not to negotiate?”
      3. “How should I adjust my negotiating approach to account for differences of personality, gender, culture, and so on?”
    • Questions about tactics
      1. “How do I decide things like ‘Where should we meet?’ ‘Who should make the first offer?’ and ‘How high should I start?’”
      2. “Concretely, how do I move from inventing options to making commitments?”
      3. “How do I try out these ideas without taking too much risk?”
    • Questions about power
      1. “Can the way I negotiate really make a difference if the other side is more powerful?” And “How do I enhance my negotiating power?”

Short URL: http://sachachua.com/blog/p/16430