If I don’t think about colour, I tend to not use it. I draw with whatever’s handy: blue pens, black pens, anything I’m carrying around. So one day I talked myself into being okay with this. (Click on images for larger versions.)
Figure 1: I’ve decided to stop caring about pen colour
I think this is just me compromising with myself, though. I think there’s more that I can do, more that I can learn.
On the computer, different colours are just a click away, so I use them. Here’s something I coloured in while waiting for the speaker to get through a very long line of people who wanted to talk to him. It’s nowhere near as colourful as the graphic recordings on OgilvyNotes.com or @agentfin’s sketchnotes, but I like it.
Figure 2: How to Live an Amazing Life (C.C. Chapman, Third Tuesday Toronto)
Actually, colour is a lot of fun. It goes a long way towards making the sketches more approachable, less intimidating, easier to visually distinguish. That’s handy when I’m looking at my Flickr photostream or through my print-outs. Besides, the coloured sketches feel more polished. They make me feel better. (Then I worry that they become intimidating… So maybe the mix is all right – coloured sketches and plain ones, all jumbled up.)
How can I colour more? How can I make it part of my workflow? How can I practise and get good enough at it that it becomes a habit?
Figure 3: What would it take to make colour part of my workflow?
After drawing that, I started experimenting with switching pen colours. Red and black are classic combinations. This one was fun to do, and it didn’t take that much more thought compared to a plain black one. No post-processing, too.
Figure 4: Google Helpouts: Imagining an ideal session
Drawing on the computer still produces more confident lines and colours, though. Maybe it’s the pen width, and the ease of switching between background highlights and pen colours?
Figure 5: Helpers Helpout #2: Communicating with customers before and after Helpouts
So… Hmm. How can I make drawing with colour more habitual?
- When I draw on paper, I will keep red and black pens handy. I think that will prompt me to use red for highlights, and red is more vivid than blue. If I’m working at a table, it’s easy to slow down and switch. I can use that as thinking time.
- When I draw on paper, I’ll try staying with the density of figure 4 versus figure 1 – write fewer words and leave more space. I might also try out 0.5mm or 0.6mm pens (currently on 0.4mm) to see if that gives me a different feel.
- When I process scanned sketches, I will colour at least one of them each day before moving them into my Flickr sync folder. That usually gets me to colour the rest.
- At least once a week (probably every Thursday), I’ll draw on my computer instead of on paper. I’ve been minimizing the number of events and presentations I do and focusing instead on my own content, so I’ve been drawing on paper more than on my computer. Setting aside some time to work on my computer will encourage me to keep tweaking the workflow, and I like the feel of my computer-drawn images more.
Did you teach yourself to use colour? How was that process for you?
Update 2014-01-03: Here’s a related post about different colouring styles I’ve used