After our first informal field trip to the Art
Gallery of Ontario, I got my own 13" iPad Air so
that I can play with digital painting beside A+.
Using the same apps might make it easier for her
to pick up ideas from me and for me to pick up
ideas from her. We mostly draw in Procreate, and
I'm starting to get the hang of its brushes and
features.
It's been nice doing moments from daily life
again. It's been a while since I got to play with
colour this easily.
A+ and I are both interested in piano, singing,
and drawing, so we're experimenting with the
Simply family subscription (CAD 46.49+tax/month).
A+ likes to draw in the evening as a way of
postponing bedtime. I could probably find lots of
free drawing tutorials like the ones that Simply
Draw has, but it's nice that it's already set up
with the video in a corner and it pauses at the
appropriate steps, so A+ can independently do it.
She's starting to see shapes and shade a bit
better now, although she doesn't yet have the
patience to blend things slowly. I'm developing
that patience, yay me. I wish I could zoom in on
the reference image, though.
Here are some drawings I made following the Simply
Draw tutorials.
One of the things I like about digital drawing and
painting is that I can sneak up on blending by
using different opacity settings and colours
instead of either accurately controlling the
pressure in my hand or switching between pencil
and eraser. I also love the way I can use layers
to build up an image gradually, how I can erase or
undo, and how I can just use whatever colour I
want without having to hunt for the right colour
pencils or put things away afterwards. I haven't
really played around with drawing with art
supplies, although the watercolour tutorials that
cross my feed seem fascinating. Maybe someday.
There's a glimmer here of how this might become a
relaxing thing to do, different from untangling a
thought or condensing a book into a sketchnote.
I'm slowly getting to the point where, when I
notice I'm starting to get anxious or when I'm
tempted to nag A+ about procrastination, I can
tell myself that I'm going on an art/music break
instead and that usually keeps me busy enough
until the urge passes. I think this might be
useful for our sanity, especially if A+ picks up
the idea too. When I'm on a music break, she often
gets inspired to kick me off the piano and do her
own music lessons, so that's a win. Art is
something we can do side by side, and I can always
make a drawing more elaborate since A+ likes to
stay at roughly the same stage as I am.
I remember enjoying art enough as a kid to have
fun at a summer camp where we did things like sand
art and papier mache. I think I worked on an
illustration of a sparrow that made it into a book
of poetry or something like that. By the time we
got to drafting classes in high school, I was
feeling a bit more meh about art. I got back into
art again with the Colors app on the Nintendo DS
and then ended up getting into drawing and
sketchnoting. I'd like to play around more with
colour, and maybe I'll do more doodles and more
drawing just because. I like drawing nature, and
I'd like to get better at drawing characters too.
I'll put the sketches on my blog and in my online
sketches, and it'll fun to see how I grow over
time.
A+'s class is working through a variety of assignments while reading through The Wild Robot. They've done chapter 1-11 so far. One of the assignments is to visualize things from the book, like sketching 6 things Roz has seen in nature so far. I figured I'd practise drawing too.
A+ thought that Roz encountered a beaver, but I
think she might have mixed it up with the otters.
It was fun to draw a beaver anyway. I'm getting
the hang of blocking out the shapes with a
highlighter and then going over it with the pen.
The sheepdog wasn't from the story. It's from
another reflection that I've been noodling on
about how A+'s teacher often tries to herd 17 kids
to be on the same literal page during virtual
class. It's a hard job.
Learning about sheepdogs sent me on this fun tangent
A tangent on herding dogs: heelers (Heelers! Like Bluey!)
nip at the heels; headers stare down the animals
with a strong eye; some breeds use both methods
and also run along the backs of the sheep; some
are moderate to loose-eyed; some use barks; some
are tending dogs who fence the sheep in.
Fascinating. This Reddit thread is interesting
too. And sheepdog training tips sound surprisingly
relevant, like the importance of figuring out what
distance the dog is ready to work at (which is not
always the same as the distance the dog thinks
they are ready to work at). Sometimes I'm the
shepherd, sometimes I'm the sheepdog, sometimes
I'm the sheep I want to herd.
As for A+ and art, she still gets very frustrated.
"I can't do it!" she wails. But she's starting to
be able to say things like "I see there's a circle
here." I think it might be helpful for me to
borrow a bunch of drawing books that emphasize
sketching on top of basic shapes, instead of those
drawing videos that just tell you the lines and
curves to draw. Maybe Ed Emberley's drawing books.
It might also be interesting to look through some
digital art tutorials and tips, like this thread
on the Procreate forum (oooh, monsters with eyes).
Getting even more tempted to get an iPad for
myself so that we can learn side by side. I've
tried drawing on Android tablets/phablets before
and Medibang Paint was pretty nice, but one of my
goals is making it easier to bounce ideas and
discoveries off each other.
typing long URLS on on-screen keyboards is not fun
I can't figure out how to convert those links to SVG
Rects are more compact
Preprocessing the image
This isn't the focus of this blog post, but I thought I'd include the code anyway in case someone might find it useful.
The fastest way to get a single file off the Supernote is to enable Browse & Access by swiping down from the top. It's the icon that looks like a two-way arrow between waves.
Figure 1: Browse and Access
I have some Emacs Lisp code for downloading the
latest exported file using the Supernote's web server.
my-image-recognize: use Google Cloud Vision to recognize the text, rename it based on the ID
my-sketch-rename: rename the file based on the ID if I've written one on the sketch
my-sketch-convert-pdf: convert to SVG, copying over the links from the previous SVG if one exists
my-sketch-clean: remove any images or templates
my-sketch-color-to-hex: change the hex values for easier replacement and tinkering
my-sketch-add-bg: add a plain white background rectangle
my-sketch-change-fill-to-style: make the attributes more consistent
my-sketch-recolor: change the highlight colour from gray to light yellow
my-image-store: store it in either my private-sketches directory or my sketches directory, depending on the tags in the filename; leave untitled sketches in the same directory
I've started keeping the text of the sketch in the
same directory so that I can someday have
full-text search for images. I have a keyboard
shortcut for jumping to the text file. I like to
open it in Org Mode.
The raw text from Google Cloud Vision is
reasonably accurate but jumbled. I can move lines
around with M-S-up and M-S-down in Org
(org-shiftmetaup and org-shiftmetadown), which
drag lines around. Once I add newlines, I can
reorganize paragraphs with M-up and M-down
(org-metaup and org-metadown). I can move list
elements with M-S-right and M-S-left. (Idea:Avy probably has some awesome line-management
functions I could get the hang of using.)
Then it's a quick trip to Inkscape to draw rectangles over the things I want to link. It's easy to see where to draw the links because Org Mode highlights the links in the text. The style of the rectangles doesn't matter. After I save the SVG, I hop back into Emacs to turn them into links.
This is the fun new part I just added.
Linkify rects
I like this because I got to reuse some code I'd
written before to identify and reorder paths for
easier animation of SVG topic maps. Using the
links I defined in the previous step, all I needed
to do was go through the rects (excluding the
background rectangle) and offer completing-read on
the titles and URLs. Then I createed the link
elements and restyled the rectangles.
I tweaked my function for drafting a blog post
about a sketch. I added panning and zooming
capabilities using Javascript, included the sketch
text, and added any sections that I referred to
using anchors. (TODO: Come to think of it, I should
rewrite those to be absolute links using the
permalink so that they'll still make sense even if
people bookmark them from the main page of my
blog.)
worth doing even if you don't feel like you can draw well
really, I just draw stick figures
good for your own thoughts and other people's
own thoughts:
non-linear
visual metaphors & organizers can be helpful
can be a launchpad for more details
other people's thoughts: distill key points from a talk, book, etc. using my understanding
visual cues make it easy to see important things first
doodling is fun
IDs help with linking (ex: 2024-10-17-02)
How I use sketchnotes:
Flesh out an idea, especially during non-computer time
Sketch talks or books to make them easier to review
Optical character recognition (Google Cloud Vision API, etc.) to blog text: I edit this to provide a good text alternative in blog posts
My evil plan
Sketchnotes are very shareable
People are always looking for visuals to add.
When people share them, they usually tell me about it
I get to find out what else people are thinking about & learning from.
More learning! More fun!
It's also a nice way to give back to people who've shared what they learned
Then they might share more!
I've been enjoying using sketchnotes as an idea
launchpad for audio braindumps or blog posts, as a
quick way to review the key points of a book or
talk, and as a way to participate in the larger
conversation. It's easy for me to link to sketches
and extract the text within them.
Someday I'll probably improve my ability to search
for the text within sketches. Right now, I just go
by filenames and the text in my blog posts. I can
probably make something that goes through the text
annotations in the JSON files from Google Cloud
Vision, or maybe I can turn them into a text file
that can be updated when I write a blog post. Hmm,
that actually sounds pretty straightforward, I
should go do that…
tldr (2167 words): I can make animating presentation maps easier by
writing my own functions for the Emacs text editor. In this post, I
show how I can animate an SVG element by element. I can also add IDs
to the path and use CSS to build up an SVG with temporary highlighting
in a Reveal.js presentation.
Convert PDF to SVG with Inkscape (Cairo option) or pdftocairo)
PNG / Supernote PDF: Combined shapes. Process
Break apart, fracture overlaps
Recombine
Set IDs
Sort paths -> Animation style 1
Adobe Fresco: individual elements in order; landscape feels natural
Animation styles
Animation style 1: Display elements one after another
Animation style 2: Display elements one after another, and also show/hide highlights
Table: slide ID, IDs to add, temporary highlights -> Reveal.js: CSS with transitions
Ideas for next steps:
Explore graphviz & other diagramming tools
Frame-by-frame SVGs
on include
write to files
FFmpeg crossfade
Recording Reveal.js presentations
Use OCR results?
I often have a hard time organizing my thoughts into a linear
sequence. Sketches are nice because they let me jump around and still
show the connections between ideas. For presentations, I'd like to
walk people through these sketches by highlighting different areas.
For example, I might highlight the current topic or show the previous
topics that are connected to the current one. Of course, this is
something Emacs can help with. Before we dive into it, here are quick
previews of the kinds of animation I'm talking about:
Figure 1: Animation style 1: based on drawing order
Animation style 2: building up a map with temporary highlights
Getting the sketches: PDFs are not all the same
Let's start with getting the sketches. I usually export my sketches as
PNGs from my Supernote A5X. But if I know that I'm going to animate a
sketch, I can export it as a PDF. I've recently been experimenting
with Adobe Fresco on the iPad, which can also export to PDF. The PDF I
get from Fresco is easier to animate, but I prefer to draw on the
Supernote because it's an e-ink device (and because the kiddo usually
uses the iPad).
If I start with a PNG, I could use Inkscape to trace the PNG and turn
it into an SVG. I think Inkscape uses autotrace behind the scenes. I
don't usually put my highlights on a separate layer, so autotrace will
make odd shapes.
It's a lot easier if you start off with vector graphics in the first
place. I can export a vector PDF from the SuperNote A5X and either
import it into Inkscape using the Cairo option or use the command-line
pdftocairo tool.
I've been looking into using Adobe Fresco, which is a free app
available for the iPad. Fresco's PDF export can be converted to an SVG
using Inkscape or PDF to Cairo. What I like about the output of this
app is that it gives me individual elements as their own paths and
they're listed in order of drawing. This makes it really easy to
animate by just going through the paths in order.
Animation style 1: displaying paths in order
Here's a sample SVG file that pdfcairo creates from an Adobe Fresco
PDF export:
Adobe Fresco also includes built-in time-lapse, but since I often like
to move things around or tidy things up, it's easier to just work with
the final image, export it as a PDF, and convert it to an SVG.
I can make a very simple animation by setting the opacity of all the
paths to 0, then looping through the elements to set the opacity back
to 1 and write that version of the SVG to a separate file.
From how-can-i-generate-png-frames-that-step-through-the-highlights:
my-animate-svg-paths: Add one path at a time. Save the resulting SVGs to OUTPUT-DIR.
Figure 2: Animating SVG paths based on drawing order
Neither Supernote nor Adobe Fresco give me the original stroke
information. These are filled shapes, so I can't animate something
drawing it. But having different elements appear in sequence is fine
for my purposes. If you happen to know how to get stroke information
out of Supernote .note files or of an iPad app that exports nice
single-line SVGs that have stroke direction, I would love to hear
about it.
Identifying paths from Supernote sketches
When I export a PDF from Supernote and convert it to an SVG, each
color is a combined shape with all the elements. If I want to animate
parts of the image, I have to break it up and recombine selected
elements (Inkscape's Ctrl-k shortcut) so that the holes in shapes are
properly handled. This is a bit of a tedious process and it usually
ends up with elements in a pretty random order. Since I have to
reorder elements by hand, I don't really want to animate the sketch
letter-by-letter. Instead, I combine them into larger chunks like
topics or paragraphs.
The following code takes the PDF, converts it to an SVG, recolours
highlights, and then breaks up paths into elements:
my-sketch-convert-pdf-and-break-up-paths: Convert PDF to SVG and break up paths.
(defunmy-sketch-convert-pdf-and-break-up-paths (pdf-file &optional rotate)
"Convert PDF to SVG and break up paths."
(interactive (list (read-file-name
(format "PDF (%s): "
(my-latest-file "~/Dropbox/Supernote/EXPORT/""pdf"))
"~/Dropbox/Supernote/EXPORT/"
(my-latest-file "~/Dropbox/Supernote/EXPORT/""pdf")
t
nil
(lambda (s) (string-match "pdf" s)))))
(unless (file-exists-p (concat (file-name-sans-extension pdf-file) ".svg"))
(call-process "pdftocairo" nil nil nil "-svg" (expand-file-name pdf-file)
(expand-file-name (concat (file-name-sans-extension pdf-file) ".svg"))))
(let ((dom (xml-parse-file (expand-file-name (concat (file-name-sans-extension pdf-file) ".svg"))))
highlights)
(setq highlights (dom-node 'g'((id . "highlights"))))
(dom-append-child dom highlights)
(dolist (path (dom-by-tag dom 'path))
;; recolor and move
(unless (string-match (regexp-quote "rgb(0%,0%,0%)") (or (dom-attr path 'style) ""))
(dom-remove-node dom path)
(dom-append-child highlights path)
(dom-set-attribute
path 'style
(replace-regexp-in-string
(regexp-quote "rgb(78.822327%,78.822327%,78.822327%)")
"#f6f396"
(or (dom-attr path 'style) ""))))
(let ((parent (dom-parent dom path)))
;; break apart
(when (dom-attr path 'd)
(dolist (part (split-string (dom-attr path 'd) "M " t " +"))
(dom-append-child
parent
(dom-node 'path`((style . ,(dom-attr path 'style))
(d . ,(concat "M " part))))))
(dom-remove-node dom path))))
;; remove the use
(dolist (use (dom-by-tag dom 'use))
(dom-remove-node dom use))
(dolist (use (dom-by-tag dom 'image))
(dom-remove-node dom use))
;; move the first g down
(let ((g (car (dom-by-id dom "surface1"))))
(setf (cddar dom)
(seq-remove (lambda (o)
(and (listp o) (string= (dom-attr o 'id) "surface1")))
(dom-children dom)))
(dom-append-child dom g)
(when rotate
(let* ((old-width (dom-attr dom 'width))
(old-height (dom-attr dom 'height))
(view-box (mapcar 'string-to-number (split-string (dom-attr dom 'viewBox))))
(rotate (format "rotate(90) translate(0 %s)" (- (elt view-box 3)))))
(dom-set-attribute dom 'width old-height)
(dom-set-attribute dom 'height old-width)
(dom-set-attribute dom 'viewBox (format "0 0 %d %d" (elt view-box 3) (elt view-box 2)))
(dom-set-attribute highlights 'transform rotate)
(dom-set-attribute g 'transform rotate))))
(with-temp-file (expand-file-name (concat (file-name-sans-extension pdf-file) "-split.svg"))
(svg-print (car dom)))))
You can see how the spaces inside letters like "o" end up being black.
Selecting and combining those paths fixes that.
Combining paths in Inkscape
If there were shapes that were touching, then I need to draw lines and
fracture the shapes in order to break them apart.
Fracturing shapes and checking the highlights
The end result should be an SVG with the different chunks that I might
want to animate, but I need to identify the paths first. You can
assign object IDs in Inkscape, but this is a bit of an annoying
process since I haven't figured out a keyboard-friendly way to set
object IDs. I usually find it easier to just set up an Autokey
shortcut (or AutoHotkey in Windows) to click on the ID text box so
that I can type something in.
Autokey script for clicking
import time
x, y= mouse.get_location()
# Use the coordinates of the ID text field on your screen; xev can help
mouse.click_absolute(3152, 639, 1)
time.sleep(1)
keyboard.send_keys("<ctrl>+a")
mouse.move_cursor(x, y)
Then I can select each element, press the shortcut key, and type an ID
into the textbox. I might use "t-…" to indicate the text for a map
section, "h-…" to indicate a highlight, and arrows by specifying
their start and end.
Setting IDs in Inkscape
To simplify things, I wrote a function in Emacs that will go through
the different groups that I've made, show each path in a different
color and with a reasonable guess at a bounding box, and prompt me for
an ID. This way, I can quickly assign IDs to all of the paths. The
completion is mostly there to make sure I don't accidentally reuse an
ID, although it can try to combine paths if I specify the ID. It saves
the paths after each change so that I can start and stop as needed.
Identifying paths in Emacs is usually much nicer than identifying them
in Inkscape.
Identifying paths inside Emacs
my-svg-identify-paths: Prompt for IDs for each path in FILENAME.
(defunmy-svg-identify-paths (filename)
"Prompt for IDs for each path in FILENAME."
(interactive (list (read-file-name "SVG: " nil nil
(lambda (f) (string-match "\\.svg$" f)))))
(let* ((dom (car (xml-parse-file filename)))
(paths (dom-by-tag dom 'path))
(vertico-count 3)
(ids (seq-keep (lambda (path)
(unless (string-match "path[0-9]+" (or (dom-attr path 'id) "path0"))
(dom-attr path 'id)))
paths))
(edges (window-inside-pixel-edges (get-buffer-window)))
id)
(my-svg-display "*image*" dom nil t)
(dolist (path paths)
(when (string-match "path[0-9]+" (or (dom-attr path 'id) "path0"))
;; display the image with an outline
(unwind-protect
(progn
(my-svg-display "*image*" dom (dom-attr path 'id) t)
(setq id (completing-read
(format "ID (%s): " (dom-attr path 'id))
ids))
;; already exists, merge with existing element
(if-let ((old (dom-by-id dom id)))
(progn
(dom-set-attribute
old
'd
(concat (dom-attr (dom-by-id dom id) 'd)
" ";; change relative to absolute
(replace-regexp-in-string "^m""M"
(dom-attr path 'd))))
(dom-remove-node dom path)
(setq id nil))
(dom-set-attribute path 'id id)
(add-to-list 'ids id))))
;; save the image just in case we get interrupted halfway through
(with-temp-file filename
(svg-print dom))))))
Then I can animate SVGs by specifying the IDs. I can reorder the paths
in the SVG itself so that I can animate it group by group, like the
way that the Adobe Fresco SVGs were animated element by element.
The way it works is that the my-svg-reorder-paths function removes
and readds elements following the list of IDs specified, so
everything's ready to go for step-by-step animation. Here's the code:
Animation style 2: Building up a map with temporary highlights
I can also use CSS rules to transition between opacity values for more
complex animations. For my EmacsConf 2023 presentation, I wanted to
make a self-paced, narrated presentation so that people could follow
hyperlinks, read the source code, and explore. I wanted to include a
map so that I could try to make sense of everything. For this map, I
wanted to highlight the previous sections that were connected to the
topic for the current section.
I used a custom Org link to include the full contents of the SVG
instead of just including it with an img tag.
#+ATTR_HTML: :class r-stretchmy-include:~/proj/emacsconf-2023-emacsconf/map.svg?wrap=export html
my-include-export: Export PATH to FORMAT using the specified wrap parameter.
I wanted to be able to specify the entire sequence using a table in
the Org Mode source for my presentation. Each row had the slide ID, a
list of highlights in the form prev1,prev2;current, and a
comma-separated list of elements to add to the full-opacity view.
Reveal.js adds a "current" class to the slide, so I can use that as a
trigger for the transition. I have a bit of Emacs Lisp code that
generates some very messy CSS, in which I specify the ID of the slide,
followed by all of the elements that need their opacity set to 1, and
also specifying the highlights that will be shown in an animated way.
my-reveal-svg-progression-css: Make the CSS.
(defunmy-reveal-svg-progression-css (map-progression &optional highlight-duration)
"Make the CSS.map-progression should be a list of lists with the following format:((\"slide-id\" \"prev1,prev2;cur1\" \"id-to-add1,id-to-add2\") ...)."
(setq highlight-duration (or highlight-duration 2))
(let (full)
(format
"<style>%s</style>"
(mapconcat
(lambda (slide)
(setq full (append (split-string (elt slide 2) ",") full))
(format "#slide-%s.present path { opacity: 0.2 }%s { opacity: 1 !important }%s"
(car slide)
(mapconcat (lambda (id) (format "#slide-%s.present #%s" (car slide) id))
full
", ")
(my-reveal-svg-highlight-different-colors slide)))
map-progression
"\n"))))
Since it's automatically generated, I don't have to worry about it
once I've gotten it to work. It's all hidden in a
results drawer. So this CSS highlights specific parts of the SVG with
a transition, and the highlight changes over the course of a second or
two. It highlights the previous names and then the current one. The
topics I'd already discussed would be in black, and the topics that I
had yet to discuss would be in very light gray. This could give people
a sense of the progress through the presentation.
As a result, as I go through my presentation, the image appears to
build up incrementally, which is the effect that I was going for.
I can test this by exporting only my map slides:
Graphviz, mermaid-js, and other diagramming tools can make SVGs. I
should be able to adapt my code to animate those diagrams by adding
other elements in addition to path. Then I'll be able to make
diagrams even more easily.
Since SVGs can contain CSS, I could make an SVG equivalent of the
CSS rules I used for the presentation, maybe calling a function with
a Lisp expression that specifies the operations (ex:
("frame-001.svg" "h-foo" opacity 1)). Then I could write frames to
SVGs.
FFmpeg has a crossfade filter. With a little bit of figuring out, I
should be able to make the same kind of animation in a webm form
that I can include in my regular videos instead of using Reveal.js
and CSS transitions.
I've also been thinking about automating the recording of my
Reveal.js presentations. For my EmacsConf talk, I opened my
presentation, started the recording with the system audio and the
screen, and then let it autoplay the presentation. I checked on it
periodically to avoid the screensaver/energy saving things from
kicking in and so that I could stop the recording when it's
finished. If I want to make this take less work, one option is to
use ffmpeg's "-t" argument to specify the expected duration of the
presentation so that I don't have to manually stop it. I'm also
thinking about using Puppeteer to open the presentation, check when
it's fully loaded, and start the process to record it - maybe even
polling to see whether it's finished. I haven't gotten around to it
yet. Anyhow, those are some ideas to explore next time.
As for animation, I'm still curious about the possibility of
finding a way to access the raw stroke information if it's even
available from my Supernote A5X (difficult because it's a
proprietary data format) or finding an app for the iPad that exports
single line SVGs that use stroke information instead of fill. That
would only be if I wanted to do those even fancier animations that
look like the whole thing is being drawn for you. I was trying to
figure out if I could green screen the Adobe Fresco timelapse videos
so that even if I have a pre-sketch to figure out spacing and remind
me what to draw, I can just export the finished elements. But
there's too much anti-aliasing and I haven't figured out how to do
it cleanly yet. Maybe some other day.
I use Google Cloud Vision's text detection engine to convert my
handwriting to text. It can give me bounding polygons for words or
paragraphs. I might be able to figure out which curves are entirely
within a word's bounding polygon and combine those automatically.
It would be pretty cool if I could combine the words recognized by
Google Cloud Vision with the word-level timestamps from speech
recognition so that I could get word-synced sketchnote animations
with maybe a little manual intervention.
Anyway, those are some workflows for animating sketches with Inkscape
and Emacs. Yay Emacs!
Inspired by Arne Bab (who mentioned being inspired by my sketches)
I've been drawing daily moments since 2023-03-20. Nothing fancy, just
a quick reminder of our day.
I draw while the kiddo watches a bedtime video. Sometimes she suggests
a moment to draw, or flips through the pages and laughs at the
memories.
I also have my text journal (occasionally with photos) and my time
tracker. It doesn't take a lot of time to update them, and I like what
they let me do.
I like this. It makes the path visible. I'm looking forward to seeing
what this is like after years
I used to draw and write monthly reviews. I'd like to get back to
those. They help with the annual reviews, too.
phone: review sketches, jot keywords on phone
computer: draw sketch, braindump, blog
Right now I put 12 days on one A5.
Week? nah, not really needed
More details? longer to review, though. Redirect drawing to monthly notes
Still working on shaping the day/week more proactively. A+ likes to
take the lead, so maybe it's more like strewing.
If you're viewing this on my blog, you might be able to click on the
links below to open them in a viewer and then swipe or use arrow keys
to navigate.
